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Accademia Nazionale di Santa Cecilia
Auditorium Parco della Musica di Roma
Viale de Coubertin
Auditorium Parco della musica

Piano

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Teacher: Benedetto Lupo
 
Deadline for applications: Tuesday, 26 September 2017
 
Date of entrance audition: Thursday 12 and Friday 13 October 2017
 
Audition programme: Performance of one etude by Chopin or Liszt and of three major piano compositions of different styles, of applicant’s choice.
 
Calendar of lessons: to be announced
 
End-of-year passage examinations
Passage from Course Year I to Year II: Performance of a programme composed of three pieces, one of which from the classical repertoire, one from the romantic repertoire, and one from the modern/contemporary repertoire. The programme shall be prepared in full; concertos and solo pieces must be performed from memory. The Panel may request the performance of all or part of the submitted programme.
 
Passage from Course Year II to year III: Performance of a programme composed of three pieces, different from those submitted the previous year, one of which from the classical repertoire, one from the romantic repertoire, and one from the modern/contemporary repertoire. The programme shall be prepared in full; concertos and solo pieces must be performed from memory. The Panel may request the performance of all or part of the submitted programme.
 
Diploma examinations
Programmes and examination procedure
Interpretation test: Performance and interpretation of a major piece, assigned three hours in advance by the examination Panel and studied behind closed doors. This audition is scheduled the day before the final audition.
 
Diploma Concert: Public performance of a concert programme composed of at least three important pieces from the instrument’s repertoire, chosen by the President of the Accademia Nazionale di Santa Cecilia from among three entirely different possible proposed programmes, which the applicant shall submit to the President by the date established and made known at the start of the academic year. The pieces in each proposed programme must be in different styles. The chosen programme shall be made known to the applicant thirty days prior to the diploma concert. The programme shall be contained within a one-hour duration, and shall be performed in full and from memory.
 
BENEDETTO LUPO
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Considered by international critics as one of the most interesting and complete talents of his generation, Benedetto Lupo made his debut at thirteen years of age with Beethoven’s First Concerto; he immediately earned distinctions in numerous international competitions, including the Cortot and the Ciudad de Jaén competitions in Europe, and the Robert Casadesus, Gina Bachauer, and Van Cliburn competitions in the United States. In 1992, as his intense performance activity brought him to the Americas, Japan, and Europe, he won the Terence Judd Award in London.
Benedetto Lupo has played on numerous occasions at New York’s Lincoln Center, Salle Pleyel in Paris, Wigmore Hall in London, Berlin’s Philharmonie, Palais des Beaux Arts in Brussels, the Tanglewood Festival, the Lanaudière Festival, the Oxford Festival, the International Festival in Istanbul, the Enescu Festival in Bucharest, and at Copenhagen’s Tivoli Festival. He has been guest of the leading Italian theatres –Teatro alla Scala in Milan, San Carlo in Naples, La Fenice in Venice, the Teatro Comunale theatres of Bologna and Florence, Turin’s Teatro Regio, Teatro Verdi in Trieste, Teatro Carlo Felice in Genoa, Teatro Filarmonico in Verona, Teatro Massimo in Palermo, Teatro Lirico in Cagliari, and Teatro Petruzzelli in Bari – and of the major national concert institutions, including the Orchestra dell’Accademia di S. Cecilia in Rome, the RAI National Symphony Orchestra, the Orchestra Verdi in Milan, I Pomeriggi Musicali, the Orchestra Regionale Toscana, Unione Musicale in Turin, La Società del Quartetto in Milan, the Accademia Filarmonica Romana, Amici della Musica in Florence, Festival Pianistico Internazionale in Bergamo and Brescia, and the “Micat in Vertice” season of the Accademia Musicale Chigiana.
 
Of the world-famous orchestras he has played with, in North and South America, mention may be made of the Philadelphia Orchestra, the Chicago Symphony, the Boston Symphony, the Los Angeles Philharmonic, the Baltimore Symphony, the Orchestre Symphonique de Montréal, the New World Symphony, the Saint Louis Symphony, the Seattle Symphony, the Vancouver Symphony, Les Violons du Roy, and the Orquestra Sinfonica Brasileira; in Europe, he has performed with the London Philharmonic, Gewandhaus Orchester in Leipzig, the Rotterdam Philharmonic, the Hallé Orchestra, the Deutsches Symphonie-Orchester, the Stuttgarter Philharmoniker, the Orquesta Nacional de España, the Orchestre Philharmonique de Monte Carlo, the Orchestre Philharmonique de Liège, the Bergen Philharmonic, the Slovak Philharmonic, the Orchestre du Capitole de Toulouse, and the Bruckner Orchester Linz. The conductors he has worked with most frequently include Yves Abel, John Axelrod, Piero Bellugi, Umberto Benedetti Michelangeli, Fabio Biondi, Daniele Callegari, Christoph Campestrini, Aldo Ceccato, Nicholas Collon, Yoram David, Vladimir Delman, Gabriel Feltz, Gabriele Ferro, Ed Gardner, Andrew Grams, Giancarlo Guerrero, Lü Jia, Vladimir Jurowski, Jean-Jacques Kantorow, Stanislav Kochanovsky, Pavel Kogan, Bernard Labadie, Louis Langrée, Marko Letonja, Alain Lombard, Nicholas McGegan, Fabio Mechetti, Juanjo Mena, Kent Nagano, Daniel Oren, George Pehlivanian, Zoltan Pesko, Michel Plasson, Josep Pons, Carlos Miguel Prieto, Lawrence Renes, Corrado Rovaris, Joseph Silverstein, Stanislaw Skrowaczewski, Michael Stern, Gregory Vajda, Alexander Vedernikov, Antoni Wit, Hugh Wolff, Kazuki Yamada, and Xian Zhang.
 
In addition to his recordings for numerous radio and television broadcasters in Europe and the United States, Lupo has recorded for TELDEC, BMG, VAI, NUOVA ERA, and the complete works for piano and orchestra by Schumann for ARTS. In 2005, a new recording of Nino Rota’s Concerto Soirée was released for Harmonia Mundi, winning no fewer than five international prizes, including the “Diapason d’Or.”
 
A pianist with an enormous repertoire, Benedetto Lupo can also boast a major chamber and teaching career; he holds master classes at major international institutions and is often invited to the juries of prestigious international piano competitions. Since the 2013/2014 academic year, he has been professor of piano in the master courses at the Accademia Nazionale di Santa Cecilia, where, in December 2015 he was named “Active Academician.”

 

 
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