Where to find us / Accademia Nazionale di Santa Cecilia

Where to find us

The Accademia Nazionale di Santa Cecilia, situated at the Auditorium Parco della Musica of Rome designed by architect Renzo Piano, is one of the largest music complexes in the world today. Clicking on the map you can enter the sections.

Auditorium Parco della Musica - Viale Pietro de Coubertin - 00196 - Roma

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Getting there:

The Auditorium Parco della Musica of Rome is in Viale Pietro de Coubertin, near the Palazzetto dello Sport, off Viale Tiziano. It is in the Flaminio district of Rome, by the Villaggio Olimpico and can be easily reached by public transport:

Bus Routes
910, from Termini Station and Piazza Mancini
53, from Piazza Mancini and Piazza San Silvestro
217, from Viale XVII Olimpiade and Termini Station
231, from Piazza Mancini and Piazzale Canestre (in Villa Borghese park). Only weekends

Linea "M", special bus route between Termini station and Viale Pietro de Coubertin Auditorium stop. From 17h00 - every 15 mins. Last bus from the Auditorium departs at the end of last event.

Tram routes
2, from Piazzale Flaminio and Piazza Mancini

Trains
Metro A line to the Flaminio stop then no.2 tram
Or the Ferrovia Roma-Nord train to the Piazza Euclide stop

By car
From the G.R.A. (ring-road around Rome) take the Flaminio Saxa Rubra exit towards Corso di Francia
Or from the Lungotevere Flaminio turn off into Viale Tiziano and then again at the Palazzetto dello Sport (covered sport complex)
There are large car parking facilities by the Auditorium Parco della Musica with designated areas for disabled visitors.

The three concert halls that comprise Parco della Musica float ideally upon a sea of foliage that opens to embrace the amphitheatre (cavea), which constitutes an urban "focus". It is also the fourth concert hall; though open-air, it is acoustically and technically equivalent to the other three, and seats approximately 3,000 people.

Each of the three indoor concert halls - one dedicated to Santa Cecilia, patron saint of musicians; one to maestro Giuseppe Sinopoli and one to maestro Goffredo Petrassi - was conceived as a true musical instrument and is characterized by specific acoustic idiocyncracies. Besides being architectonically functional, they are structurally separated in order to facilitate acoustic isolation. Each hall is also furnished with recording equipment.

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